|Holly Revell took this photograph|
I showed up to the second show of the first run in 2011 and it was one of the most excellent things I'd ever witnessed, for reasons I'll explain below. I was hooked immediately and have been at every episode since then. I participated in 2012, acted as the in-house therapist in 2013, and have been on the peripheries this year too. It's become one of the joys of my fat queer life.
2014 marks the end of Hamburger Queen. It's too expensive and there are other things to be getting on with. There's one more heat and then the grand final.
It's not over yet, but I'm going to offer a few reflections on the thing anyway. Yeah, this is gushy but so be it. I hope that Fat Studies people are looking at this stuff closely, I sincerely believe it is the future of fat.
Hamburger Queen is immersive popular theatre masquerading as a strange kind of contest. There is a big cast of people who perform and do duties like take tickets at the door, or sell raffle tickets (I won the meat raffle two weeks ago!) and t-shirts. You can eat special Hamburger Queen burgers. You feel as though you have entered a different universe, one where fat people are as much a part of things as anyone else. There are a lot of sequins and glitter slash. The music is themed along with the look of the place. Amidst this are performances, videos, chit-chat with the audience. It's a total environment!
I'm writing this as though it all just happens by magic. It looks that way because the person behind it knows how to put on a show. It's been amazing to see Scottee develop Hamburger Queen over the last four years, a privilege to see the work come about as a product of his astounding imagination, aesthetics, intellect, ambition and sheer graft. He has so much to offer.
That this is Scottee's show is not in doubt, but he's managed to create a platform where many people can shine, not least his co-presenters Amy Lamé and Felicity Hayward. Other performers have come through too: Ginger Johnson has been bringing the house down this year with her love letters to chubby celebrities, Jayde Adams and Miss Annabel Sings have also made their mark, along with internet sensation Jude Bean.
The contest is the thing on which it all hangs. The contestants are a funny bunch and there's a reason for that. Hamburger Queen is a high pressure experience so you'd better be up to it if you're going to apply. It involves wearing something incredible, and doing so fearlessly; performing to a mixed and capricious crowd; and serving up a tasty treat to some very picky people. You do this twice if you get through to the final.
Hamburger Queen makes space for all kinds of people, and one of the things I love is that it does not exalt assimilation. Sometimes a contestant wears a nice outfit, or presents something that is very much a part of mainstream fat cultural values. These people are supported, but they're somewhat marginal to the main event, which is about eye-popping, draggy, fleshy, unapologetic embodied weirdness. My favourite contestants: the skinny hippy drag queen on drugs who twirled and twirled and twirled around the audience; the guy who played with razor blades, cut himself and bled profusely; Scarlett's Human Pass the Parcel act; Neon's Samba moves; Kayleigh's Venus of Willendorf dance; the woman who did Flashdance with paper plates of horrible cream; Ruby sticking a shoe up her whatsit, and on it goes. Every week there is something electrifying to see.
The judges are eclectic, to say the least. They make a mockery of fairness or justice. Contestants try and psych them out, but there's no rhyme or reason as to who wins. It's all decided in the Taste round, and woe betide the contestant who treats it flippantly. I thought Bea Sweet's Kentucky Fried dinner was sublime in the first season, but they hated it. Same goes for the contestant who produced a block of lard covered in party sprinkles. Yet they loved Ashleigh Owen's chocolate shit, served in nappies. You just can't tell. Sometimes a judge goes rogue. June Brown gave everybody a lecture about health; Nancy Dell'Olio threatened some kind of drama that I've now completely forgotten about; Matthew Kelly gave everyone hugs; Fenella Fielding needed an early night; Lisa Stansfield sang for us. Precious moments indeed.
|Photo by Holly Revell|
Hamburger Queen has brought about another change in the way I think about fat activism. I'm less about a reasoned debate with Important People these days and more about a fat tap-dancing troupe called The Cholesterols in a pub full of people roaring with delight. To me, this is about experiencing possibilities, imagining something gorgeous and making it real, doing so collectively in a broader social context that is generally very shut down and conservative. I find it very beautiful and, to invoke a couple of words that are greatly overused, inspiring and awesome. This is where I want to be.
Hamburger Queen is ending, but Scottee Inc continues. This means that there are more exciting performance things in the pipeline. Full disclosure: I serve on the board. Non-disclosure: I'm not going to tell you about the projects that are on their way just yet, you'll have to wait and see. What I can say is that they continue to develop fat spectacle, popular entertainment, new performance forms, queer thrills and more. It's going to be great! Hold tight.
ScotteeScottee YouTube – view clips from all the Hamburger Queens
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